Peter van Praet

His work with Robert Carsen includes Falstaff (Royal Opera House, La Scala, Metropolitan Opera, Toronto, Amsterdam), Der Rosenkavalier (ROH, Metropolitan Opera, Teatro Colón), Don Giovanni, CO2 and La fanciulla del West (La Scala), Don Carlo, Rigoletto and Kát’a Kabanová (Opéra national du Rhin), Candide (Paris Opera, Milan), Jenůfa, The Cunning Little Vixen and Battistelli’s Richard III (Opera Vlaanderen), Ariodante, Tannhäuser, Rusalka, Capriccio, The Magic Flute (Paris), Orfeo ed Euridice (Paris, Versailles) and Iphigénie en Tauride (ROH, Madrid, San Francisco, Chicago). For La Fura dels Baus his lighting designs include Der Ring des Nibelungen (Valencia, Florence), Le Grand Macabre (Gran Teatre del Liceu, ENO) and Oedipe (ROH, La Monnaie). Other lighting credits include Nixon in China (also sets) for Paris Opera, Der Ring des Nibelungen (Buenos Aires), The Turn of the Screw (Opéra de Lyon), Carmen (Terme di Caracalla, Rome), Don Giovanni (Perm), Les Vêpres siciliennes (Rome), La Favorite (also sets) for Bergamo and Bordeaux and Tosca and Aida (Macerata) for Valentina Carrasco, and Turandot (Rome) for Ai Wei Wei.