Tickets and Events
Visit us
Learning and Schools
Join and support
Music Director
Director of Opera
Production supported by
Season Principal Mrs Aline Foriel-Destezet
Position of Music Director Maestro Antonio Pappano generously supported by Mrs Susan A. Olde OBE
Generous philanthropic support from Julia and Hans Rausing, Sandra and Anthony Gutman, Charles Holloway, Melinda and Donald Quintin, Simon and Virginia Robertson, and The Royal Opera House Endowment Fund
Contains violence and implied sexual assault, and moderate sexual activity. Rigoletto features flashing lights in Act III.
Kseniia Nikolaieva, Egor Zhuravskii and Blaise Malaba are members of the Jette Parker Young Artists Programme
Monterone's Daughter Sabina Arthur
Actors Jamie Francis, Kevan Johnson and Suleiman Suleiman
Dancers Hayley Chilvers, Aimee Dulake, Keiko Hewitt-Teale, Sarah Hirsch, Soledad De la Hoz and Jessamin Landamore
EXTRA CHORUS
Tenors Phillip Bell, Simon Biazeck, Jon English and Richard Monk
Basses James Birchall, Njabulo Madlala, Simon Preece and Peter Willcock
ACT I
The Duke of Mantua is a serial womaniser. At a palace party, not content with the married Countess Ceprano, the Duke reveals he is also infatuated with a mysterious woman he has seen in church. The jester Rigoletto jokes that the Duke should have the Countess’s husband murdered. Count Ceprano vows to kidnap Rigoletto’s lover as punishment. The elderly nobleman Monterone confronts the Duke about his seduction of his daughter. Rigoletto taunts him and the old man curses the Duke and the jester. Rigoletto’s so-called ‘lover’ is in fact his daughter, Gilda, whom he keeps under lock and key at home. She has secretly fallen in love with the disguised Duke of Mantua. Rigoletto is tricked into facilitating the abduction of his daughter by Count Ceprano. When he realises his daughter is gone, Rigoletto fears the power of Monterone’s curse.
INTERVAL
ACT II
The Duke returned to see Gilda but the house was empty. Now back in his palace, he curses whoever has robbed him of his prize. His courtiers rush in to tell him about their exploits of the previous night. The Duke guesses that Rigoletto’s ‘mistress’ and daughter are the same person. He goes to find Gilda. Back at the Duke’s mansion, Rigoletto is dismayed to learn that Gilda has been delivered into the Duke’s clutches. Monterone is sent to prison, and Rigoletto swears revenge on the Duke.
ACT III
A month has passed. Rigoletto has hired an assassin, Sparafucile, to murder the Duke. Sparafucile’s sister, Maddalena, acts as bait, luring him to their home. Rigoletto forces Gilda to witness the Duke seducing Maddalena. Gilda is heartbroken. Maddalena falls for the Duke and begs her brother to kill Rigoletto instead. Gilda overhears Sparafucile’s alternative plan – to stab the next traveller who knocks at their door – and sacrifices herself. When Rigoletto discovers his dying daughter, he is haunted by Monterone’s curse.
Michael Sikich and Michael Papadopoulos are members of the Jette Parker Young Artists Programme
Patron
Music Director
Director of Opera
Director of Casting
Administrative Director
We are working to make the Royal Opera House more sustainable. To do this, some of the ways in which we share information have changed, including cast sheets.
You can view the digital cast sheets on a computer, tablet or smartphone. You can also download and print the digital cast sheet. Check the digital cast sheet for the most up-to-date information before the performance starts, during the interval, or after the performance day.
Scan the QR codes displayed around the building with a smartphone to view the latest digital cast sheets. The cast sheets are also displayed on screens outside the auditoria.
Cast sheets generously supported by the Royal Opera House Endowment Fund.
The safety of our visitors, staff and artists is still our priority and we continue to have strict cleaning regimes and enhanced ventilation in place. There are hand sanitiser stations throughout the building. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Wearing a face mask is no longer required, but staff and visitors are welcome to wear one.
We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.