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La bohème

OPERA IN FOUR ACTS

02.02.2024 7:30 PM

The 651st performance by The Royal Opera at the Royal Opera House.

APPROXIMATE TIMINGS

The performance lasts approximately 2 hours 35 minutes, including one interval
Act I
40 minutes
Act II
20 minutes
Interval
30 minutes
Act III
30 minutes
Act IV
35 minutes

GUIDANCE

Suitable for all, subject to House rules

Children under the age of five are not permitted into our theatres. Children over five must have their own ticket and sit next to an accompanying adult.

CREDITS

Music
Giacomo Puccini
Libretto
Giuseppe Giacosa and Luigi Illica
Director
Richard Jones
Designer
Stewart Laing
Lighting designer
Mimi Jordan Sherin
Movement director
Sarah Fahie

CAST

Assistant Director
Ben Mills
Conductor
Keri-Lynn Wilson
Rodolfo
Leonardo Caimi
Mimì
Yaritza Véliz
Marcello
Gihoon Kim
Musetta
Andrea Carroll
Schaunard
Josef Jeongmeen Ahn
Colline
William Thomas
Benoît
Jeremy White
Alcindoro
Eddie Wade
Parpignol - CSPC
Nicholas Sharratt
Customs Officer - CDA
Dominic Barrand
Sergeant - CDA
Thomas Barnard
2 sole: ‘EMMA, QUANDO TI CHIAMO’ - CDAS
Madeleine/Jane Mitchell, Renata Skarelyte
Venditore: ‘DATTERI’ - CDA
Olle Zetterström
‘TROTE’ - CDA
Dawid Kimberg
Un venditore ambulante: ‘PRUGNE DI TOURS’ X2 - CDA
Luke Price
Chorus
Royal Opera Chorus
Orchestra
Orchestra of the Royal Opera House

Christmas Eve revellers, Bohemians, waiters, street sweepers, milkmaids, peasant women, children

Actors Paul Dennison, Jamie Francis, Nicholas Frentz, Richard Gittins, Glody Kinkiani, Anthony Kurt-Gabel, Andrew Leishman, Danielle Meehan, Davy Quistin, Xolisweh Richards, Sebastian Rose, Timo Willman

With special thanks to The Cardinal Vaughan Memorial School and The Grey Coat Hospital School

Extra Chorus

Sopranos Celeste Gattai, Alison Rayner, Rosalind Waters, Carleen Ebbs

Mezzo-Soprano Jennifer Westwood, Tamsin Dalley, Maria Jones, Clare McCaldin

Tenors Andrew Friedhoff, Jonathan English, Andrew Mackenzie-Wicks, Andrew Busher

Basses James Birchall, Gavin Horsley, Simon Preece, Jonathan Wood

SYNOPSIS

The opera is set in Paris

ACT I: An attic in the Latin Quarter, Christmas Eve

Rodolfo and Marcello complain about the bitter cold. They need to light their stove: Marcello suggests using a chair, but Rodolfo offers the manuscript of the play he is writing. Colline arrives and the remaining acts of the play are burnt.

Schaunard arrives with wood, food and wine. He explains that an Englishman engaged him to play his violin to hasten the death of a parrot. The friends decide to go and eat in the Latin Quarter but are interrupted by Benoît, their landlord, who has come for the rent. They ply him with wine and Benoît boasts of his sexual prowess. The bohemians pretend outrage at Benoît’s immorality and push him out.

Marcello, Colline and Schaunard head to Café Momus, leaving Rodolfo behind to finish an article. There is a knock at the door. It is a girl who asks for a light for her candle. She feels faint from climbing the stairs. As she is leaving her candle flickers out again and she realizes that she has lost her key. Rodolfo’s candle also goes out and they search for her key in the moonlight. Rodolfo takes the girl’s icy hand and tells her of his life as a poet. The girl tells him her name, Mimì, and describes her simple life as a flower embroiderer. Schaunard, Colline and Marcello shout up to Rodolfo to hurry. Mimì asks if she may join them at the Café Momus. Rodolfo suggests they might stay in, but eventually they leave together singing of their love.

ACT II: The Latin Quarter

Rodolfo and Mimì wander through the Christmas Eve crowds. Rodolfo introduces Mimì to his friends. When Mimì shows her new friends the bonnet Rodolfo has brought her, Marcello expresses cynicism about romance.

As they propose a toast, Marcello’s ex-girlfriend Musetta appears, accompanied by Alcindoro, her rich admirer. Agitated at being ignored by Marcello, Musetta launches into a song – to provoke and seduce him. She complains of a painful foot and dispatches Alcindoro to buy new shoes. The bill for supper arrives, but the bohemians have already spent their money. Musetta places their bill on Alcindoro’s plate. A marching band arrives, and the bohemians leave with Musetta. Alcindoro returns and is presented with the bill.

INTERVAL

ACT III: Outside the Barrière d’Enfer

Workers arrive from out of town to enter the city. From inside a tavern comes the voice of Musetta. Mimì enters, ill and racked with coughing. She asks for Marcello. He tells her that he and Musetta are now living at the inn and that Rodolfo turned up in the night. Mimì explains that Rodolfo’s jealousy is destroying their relationship and he wants to leave her. Marcello advises Mimì to go, but she hides nearby.

Rodolfo comes out of the tavern and says he will break up with Mimì: her flirting has incensed him. Eventually, however, he reveals the real reason for their separation: she is so ill that his miserable poverty offers her nothing but the prospect of death. They hear Mimì crying and coughing. As Rodolfo hurries to her, Musetta’s laugh is heard and Marcello goes to see what she is doing. Mimì says farewell to Rodolfo and asks him to send on her possessions. She proposes that he keep her bonnet as a memento of their love. Marcello and Musetta quarrel and separate. Rodolfo and Mimì decide to postpone their separation until the spring.

ACT IV: The attic, autumn

Marcello and Rodolfo taunt each other about their ex-lovers: Rodolfo has seen Musetta in a fine carriage and Marcello has seen Mimì dressed like a queen. They pretend not to miss the girls but then admit that they do. Schaunard and Colline arrive with bread and a herring and the four eat and amuse each other.

Suddenly Musetta enters. She has brought Mimì, who is desperately ill: Musetta explains that she met her in the street and that Mimì begged to be taken to Rodolfo. Mimì rallies and greets the friends. Musetta instructs Marcello to sell her earrings to pay for medicine and a doctor. Colline leaves to pawn his coat. Mimì, alone with Rodolfo, expresses her boundless love for him. He shows her the bonnet and they reminisce about their first meeting. The others return with a muff and medicine, promising that a doctor will come. Mimì dies unnnoticed while they are preparing her medicine. Colline arrives with money from the pawnbroker, but it is too late.

PRODUCTION CREDITS

Music preparation
Stephen Clarke, Olivia Clarke, André Callegaro, Susanna Stranders, Mark Packwood, Edward Reeve
Assistant Directors
Ben Mills, Daisy Brown, Johannes Stepanek
Language Coaches
Valeria Racco, Emma Abbate

André Callegaro and Edward Reeve are Jette Parker Artists

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