Tickets and Events
Visit us
Learning and Schools
Join and support
Music Director
Director of Opera
Exceptional philanthropic support from
Royal Opera House Principals Julia and Hans Rausing
Generous philanthropic support from Philipp Freise, The Wagner Circle and The Patrons of Covent Garden
In memory of Peter Espenhahn
Children under the age of five are not permitted into our auditoria. Children over five must have their own ticket and sit next to an accompanying adult.
Sailors, factory women
Extra Chorus
Sopranos Angela Caesar, Caroline Lenton-Ward, Eleanor Pennell-Briggs, Alison Rayner, Elizabeth Roberts, Elinor Rolfe Johnson, Rosalind Waters, Vanessa Woodfine
Mezzo-Sopranos Jeanette Ager, Tamsin Dalley, Siobhain Gibson, Maria Jones, Zoe Todd, Jennifer Westwood
Tenors Robert Amon, Phillip Bell, Simon Biazeck, Andrew Burden, Andrew Busher, Mark Chaundy, Edmond Choo, Jonathan Cooke, Darrell Forkin, Andrew Friedhoff, James Geer, Andrew MacKenzie-Wicks, Simon McEnery, Richard Monk, Rory O’Connor, John Pierce, Richard Reaville, James Scarlett, Philip Sheffield, Andrew H Sinclair, Julian Stocker, Ben Thapa, Alex Wall
Basses Trevor Alexander, Jochem van Ast, Donaldson Bell, James Birchall, Mark Campbell-Griffiths, Oscar Castellino, Gerard Delrez, Christopher Foster, Oliver Gibbs, Lawrence Gillians, Gabriel Gottlieb, Gavin Horsley, Christopher Lackner, Bartholomew Lawrence, Russell Matthews, Geraint Miles, John Morgan, Martin Nelson, Paul Parfitt, Simon Preece, James Quilligan, Mark Saberton, Aidan Smith, Chris Thornton-Holmes
Actors Richard Gittins, Tom Levermore, Lockhart Ogilvie, Alex Rajan-Iyer
Due to a violent storm, Daland, a ship’s captain, has been forced to abandon reaching his home port and instead temporarily anchor his ship in a nearby bay. Daland’s Steersman is left to keep watch; he sings a ballad describing his yearning for his sweetheart, then falls asleep. A strange ship moors alongside, and its captain, the Flying Dutchman of seafaring legend, comes ashore. He describes the curse placed upon him. Once during a storm he swore that he would round a cape even if it took him until eternity; the Devil took him at his word, so now the seaman is fated to sail the seas forever unless he can find a woman who will be ‘faithful unto death’. He longs for salvation, and every seven years comes to port to search for such a woman; that time has come again, although he doubts he will find her.
Daland returns and rouses the Steersman, who hails the strange ship moored next to them, but no one responds. Daland sees the Dutchman on the shore and questions him. The Dutchman tells him of his endless travels and asks for Daland’s hospitality, in return for generous payment. When the Dutchman discovers that Daland has a daughter, he asks if he can marry her, in exchange for all his wealth. Daland, though suspicious, is delighted at the prospect of becoming rich. A southerly wind springs up and Daland’s crew prepare to depart for home, followed by the Dutchman’s ship.
In a clothing factory, the women are sewing and singing. Mary reproaches Senta for daydreaming instead of working. The other women tease her for her obsession with the Flying Dutchman, particularly when Erik is already in love with her. Senta asks Mary to sing the ballad of the Flying Dutchman, and, when she refuses, sings it herself. As she comes to the song’s end, Senta declares that she will be the woman to save the doomed Dutchman. Everyone is horrified, especially Erik, who has overheard – he has come to announce that Daland’s ship is returning to port. Mary orders the women home to prepare for the men’s arrival. Erik is upset at Senta’s growing distance from him. He tells her of a strange dream he has had, in which he saw Senta sailing away on a mysterious ship with a stranger. Senta is now convinced that the Dutchman is seeking her and that it is her fate to save him. Erik leaves in despair. Daland arrives with the Dutchman and introduces him to Senta. She is transfixed by the visitor, and Daland urges her to accept his offer of marriage.
Senta and the Dutchman are left alone, both contemplating the fulfilment of their dreams. Senta accepts the Dutchman’s offer of marriage, telling him she will be his salvation. The Dutchman warns her of the sacrifices she will make by marrying him, but she swears she will be true until death. Daland returns, overjoyed that there is now an engagement to be celebrated.
The sailors are having a party. The women arrive with drink. They call out to the Dutchman’s ship, but no one responds. Unnerved by the ghostly stillness, the women leave. The men become more rowdy, shouting at the Dutchman’s ship. To their shock, the Dutchman’s crew suddenly reply.
Erik arrives, distraught that Senta seems to be abandoning him for the Dutchman. Overhearing the end of their conversation, the Dutchman is convinced that Senta is unfaithful. Senta begs him to trust her, but he is determined to return to sea. He tells her of the women who have broken their vows to him in the past: they have been eternally damned. He will save Senta, by leaving now before she can break her vows. He reveals his identity as the legendary Flying Dutchman, boards his ship, and leaves. Senta remains behind, alone.
Patron
Music Director
Director of Opera
Director of Casting
Administrative Director
We are working hard on our commitment towards becoming more sustainable and are striving for our net zero goal of 2035. By using digital cast sheets and e-tickets, we have reduced our paper consumption by over five tonnes per year. You can view our digital cast sheets on a computer, tablet or smartphone by scanning the QR codes displayed around the building using your smartphone’s camera app. They are also displayed on screens outside the auditoria. Cast sheets are generously supported by the Royal Opera House Endowment Fund.
Photography and filming are prohibited during performances in any of our auditoriums. You are welcome to take pictures throughout the rest of the building and before performances and share them with us through social media. Commercial photography and filming must be agreed in advance with our press team.
Larger bags and backpacks need to be check into our complimentary cloakrooms. Unattended bags may be removed.
Please do not place any personal belongings on the ledges in front of you.
Only bottled water and ice cream purchased from the premises can be taken into the auditorium.
If you arrive late to the auditorium or leave during a performance, you will not be allowed back to your seat until the interval or a suitable break.
Smoking and vaping are not permitted anywhere on the premises.
The safety of our visitors, staff and artists is still our priority. To help us provide a comfortable experience for everyone, please be mindful of others and their personal space.
Our staff are committed to treating everyone with dignity and respect and we ask that you show them and your fellow audience members respect too. We adopt a zero-tolerance approach in response to anyone who interacts with our staff or with fellow audience members in an intimidating, aggressive or threatening manner.
We are so glad to welcome our artists back to our theatres to perform for you the opera and ballet you love. During the pandemic we lost £3 in every £5 of our income and we continue to feel the impact as we recover. Sustaining the future of ballet and opera has never been so important. Please consider making a donation to the Royal Opera House community today and help support the future of ballet and opera.